Abidin, C. (2017). Influencer extravaganza: Commercial “lifestyle” microcelebrities in Singapore. In L. Hjorth, H. Horst, A. Galloway, & G. Bell (Eds.), Routledge companion to digital ethnography (pp. 158–168). London, UK: Routledge. 

​

Abidin, C. (2015a). Communicative intimacies: Influencers and perceived interconnectedness.Ada: A Journal of Gender, New Media, and Technology

​

Abidin, C. (2015b). Micromicrocelebrity: Branding babies on the internet. M/C Journal, 18(5), 

​

Abidin, C., & Ots, M. (2016). Authenticity and credibility in brand scandal. In M. Edström & A. T. Kenyon (Eds.), Blurring the lines: Market-driven and democracy-driven freedom of expression (pp. 153–161). Gothenburg, Sweden: Nordicom. 

​

Abidin, C., & Thompson, E. C. (2012). Buymylife. Com: Cyber-femininities and Commercial Intimacy in Blogshops. Women’s Studies International Forum, 35(6), 467–477.

 

About Us | ORDRE. (n.d.). Retrieved from https://www.ordre.com/en/page/about-us-204

​

Amed, I., Balchandani, A., Beltrami, M., Berg, A., Hedrich, S., & Rolkens, F. (2019). The influence of Gen Z on fashion. Mckinsey and Company. 

 

Anselmsson, J., Burt, S., & Tunca, B. (2017). An integrated retailer image and brand equity framework: Re-examining, extending, and restructuring retailer brand equity. Journal of Retailing and Consumer Services. 38. 194-203. 10.1016/j.jretconser.2017.06.007.

​

Arora, A., Glaser, D., Kluge, P., Kim, A., & Sak, N. (2021). Live commerce is transforming online shopping. Mckinsey and Company

 

Azuma, R. T. (1997). A Survey of Augmented Reality. Presence: Teleoperators and Virtual    Environments, 6(4), 355–385. https://doi.org/10.1162/pres.1997.6.4.355.

​

Bain, M. (2021). How Selfridges Is Bringing Virtual Fashion to Stores. The Business of Fashion. 

 

Barnard, M. (2002). Fashion as Communication. United Kingdom: Routledge.

​

Barthes, R. (2006). Language of Fashion. United Kingdom: Berg Publisher

​

Britt, P. (2017, February 17). New VR Platform Wows Attendees at New York Fashion Week. Samsung Business Insights.https://insights.samsung.com/2017/02/17/new-vr-platform-wows-attendees-at-new-york-fashion-week/

​

Brownlee, J. (2019, June 16). A Gentle Introduction to Generative Adversarial Networks (GANs). Machine Learning Mastery. https://machinelearningmastery.com/what-are- generative-adversarial-networks-gans/

​

Cabigiosu, A. (2020). Digitalization in the luxury fashion industry: Strategic branding for millennial consumers.

​

Casini, L., & Roccetti, M. (2020). Fashion, Digital Technologies, and AI. Is the 2020 Pandemic Really Driving a Paradigm Shift? ZoneModa Journal,10(2), 1–10. https://doi.org/10.6092/issn.2611-0563/11802

​

Chung, J. Y., Lee, J., & Heath, R. L. (2013). Public relations aspects of brand attitudes and customer activity. Public Relations Review, 39, 432-439.

​

Cunningham, S., & Craig, D. (2017). Being ‘really real’ on YouTube: Authenticity, community and brand culture in social media entertainment. Media International Australia, 164(1), 71–81. doi:10.1177/1329878X17709098 

​

Dodgson, L. (2019). Models are worried that digitally-created influencers “pose a threat” to the industry, but CGI could be the future of fashion. Insider. https://www.insider.com/cgi-models-look-real-what-that-means-fashion-industry-2019-9

​

Duffy, B. E. (2017). (Not) Getting paid to do what you love: Gender, social media, and aspirational work. New Haven, CT: Yale University Press. 

​

Durgee, J. & Stuart, R. (1987). Advertising symbols and brand names that best represent key product meanings. Journal of Consumer Marketing. 4. 15-24. 10.1108/eb008200.

 

Eco, U. (1979). A Theory of Semiotics. Bloomington: Indiana Press.

​

Edwards, T. (2011). Fashion in Focus: Concepts, Practices and Politics (1st ed.). Taylor and Francis Group.

​

Faria, A. P., Providência, B., & Cunha, J. (2020). The Foreseeable Future of Digital Fashion Communication After Coronavirus: Designing for Emotions. Advances in Design and Digital Communication, 12, 510–515. https://doi.org/10.1007/978-3-030-61671-7_47

​

Gangadharbatla, H. & Valafar, M. Propagation of user-generated content online. International Journal of Internet Marketing and Advertising, 2017; 11 (3): 218 DOI: 10.1504/IJIMA.2017.085655

 

Gardner, B.B. and Levy, S.J. (1955) The Product and the Brand. Harvard Business Review, March-April, 33-39.

​

Giakoumaki, C. & Krepapa, A. (2020). Brand engagement in self-concept and consumer engagement in social media: The role of the source. Psychology & Marketing, 37, 457-465.

​

Gurzki, H., Schlatter, N., & Woisetschlager, D. M. (2019). Crafting extraordinary stories:Decoding luxury brand communications. Journal of Advertising, 48, (401-414.

​

Guzman, A.; Lewis, S.; Artificial intelligence and communication: A Human–Machine Communication research agenda. New Media & Society. 2020;22(1):70-86. doi:10.1177/1461444819858691

​

Han, Y. J., Nunes, J. C., & Dreze, X. (2010). Signaling status with luxury goods: The role of

brand prominence. Journal of Advertising, 74, 15-30.

 

Hartmans, A. (2021). A growing number of shoppers are “bracketing” their online purchases, creating a logistical nightmare for retailers. Business Insider. https://www.businessinsider.com/bracketing-online-shopping-downsides-explained-2021-11

​

He, H., & Brown, A. (2013. Organizational Identity and Organizational Identification: A Review of the Literature and Suggestions for Future Research. Group & Organization Management, 38(1), 3–35.https://doi.org/10.1177/1059601112473815

​

Hecht, M. L., Warren, J., Jung, J., & Krieger, J. (2004). Communication theory of identity. In W. B. Gudykunst (Ed.), Theorizing about intercultural communication (pp. 257–278). Newbury Park, CA: SAGE.

​

Herzog, H. (1963) Behavioral Science Concepts for Analyzing the Consumer. In: Bliss P., Ed., Marketing and the Behavioral Sciences, Allyn and Bacon, Inc., Boston, 76-86.

​

Influencer Marketing: Social media influencer market stats and research for 2021. (2021). Insider Intelligence. https://www.insiderintelligence.com/insights/influencer-marketing-report/

​

Inside Ralph Lauren’s connected fitting rooms. (2016, April 12). Digiday.

​

Jung, E., & Hecht, M. L. (2004). Elaborating the communication theory of identity: Identity gaps and communication outcomes. Communication Quarterly, 52(3), 265–283. DOI: 10.1080/01463370409370197

​

Katz, E., & Lazarsfeld, P. (1955). Personal influence: the part played by people in the flow of mass communications. Free Press.

​

Reimagining the Digital Shopping Experience with Snapchat. (2020). Kohls Corporation.

​

Lazarsfeld, P., Berelson, B., & Gaudet, H. (1968). The people’s choice; how the voter makes up his mind in a presidential campaign (3rd ed.). Columbia University Press.

​

Lee, J., James, J., & Kim, Y. (2014). A Reconceptualization of Brand Image. International Journal of Business Administration, 5(4). https://doi.org/10.5430/ijba.v5n4p1

 

Levy, S.J. (1978) Marketplace Behavior—Its Meaning for Management. Amacom, New York.

​

Littlejohn, S., Foss, K., & Oetzel, J. (2017). Theories of Human Communication (11th ed.). Waveland Press, Inc.

​

Lockwood, L. (2022, February 16). Rebecca Minkoff Sold to Sunrise Brands. WWD. https://wwd.com/business-news/markets/rebecca-minkoff-sold-to-sunrise-brands-1235077732/

​

Ma, A. (n.d.). Dolce & Gabbana is using drones to model its handbags at Milan Fashion Week. Business Insider. Retrieved from https://www.businessinsider.com/dolce-and-gabbana-uses-drones-to-model-handbags-at-milan-fashion-week-2018-2

​

Maguire, L. (2022, February 14). How Roksanda created a fashion week NFT. Vogue Business. 

 

Marwick, A. E. (2013). Status update: Celebrity, publicity, and branding in the social media age.New Haven, CT: Yale  University Press.

​

McDonald, A. (2020, April 5). What is CGI (Computer-Generated Imagery) & how does it work? Discover | The Rookies. 

​

McDowell, M. (2022, March 9). Gucci goes deeper into the metaverse for next NFT project. Vogue Business

​

McQuarrie, E. F., Miller, J., & Phillips, B. J. (2012). The megaphone effect: Taste and audience in fashion blogging. Journal of Consumer Research, 40(1), 136–158. doi:10.1086/669042

 

Nanda, M., & Bain, M. (2021). Unpacking Fashion’s Latest Wave of NFT Sales. The Business of Fashion.

​

Our success stories: Fashion forecasting for market and product trends. (n.d.). Heuritech. Retrieved from https://www.heuritech.com/success-stories/

​

PCR Test for COVID-19: What It Is, How Its Done, What The Results Mean. (2021). Cleveland Clinic. https://my.clevelandclinic.org/health/diagnostics/21462-covid-19-and-pcr-testing

​

Pohlman, A., & Mudd, S. (1973). Market image as a function of consumer group and product type: A quantitative approach. Journal of Applied Psychology, 57(2), 167–171. https://doi.org/10.1037/h0037043

​

Pentina, I., Guilloux, V., & Micu, A. C. (2018). Exploring social media engagement behavior in the context of luxury brands. Journal of Advertising, 47(1), 55-69.

​

Reynolds, T. J., & Gutman, J. (1984). Advertising is image management. Journal of Advertising Research, 24(1), 27–37.

​

Silva, E. S., & Bonetti, F. (2021). Digital humans in fashion: Will consumers interact? Journal of    Retailing and Consumer Services, 60, 102430. https://doi.org/10.1016/j.jretconser.    2020.102430

​

Silvestri, B. (2020). The Future of Fashion: How the Quest for Digitization and the Use of Artificial Intelligence and Extended Reality Will Reshape the Fashion Industry After COVID-19. ZoneModa Journal, 10(2), 61–73. https://doi.org/10.6092/issn.2611-0563/11803

​

Stewart, A. (2009). Fifty Years Of Models As Muses. In NPR.org. https://www.npr.org/2009/06/20/105718061/fifty-years-of-models-as-muses

​

SUPERPLASTIC and Gucci step further into the metaverse with the first drop of an ultra-limited collection of NFTs. (n.d.). Retrieved March 15, 2022, from https://www.gucci.com/us/en/st/stories/inspirations-and-codes/article/supergucci

​

Swartz, T. A. (1983). Brand symbols and message differentiation. Journal of Advertising Research, 23(5), 59–64.

​

The State of Fashion 2021 (pp. 1–129). (2021). Mckinsey and Company.

​

The State of Fashion 2022 (pp. 1–129). (2022). Mckinsey and Company.

​

The Diigitals About. (n.d.). Retrieved December 3, 2021, from https://www.thediigitals.com/about

​

Tortora, P. (2015). Dress, Fashion and Technology: From Prehistory to the Present (Dress, Body, Culture) (J. Eicher, Ed.). Bloomsbury Academic.

​

Tortora, P., & Marcketti, S. (2015). Survey of Historic Costume (6th ed.). Fairchild Books.

​

Turcotte, J., York, C., Irving, J., Scholl, R. M., & Pingree, R. J. (2015). News Recommendations from Social Media Opinion Leaders: Effects on Media Trust and Information Seeking. Journal of Computer-Mediated Communication, 20(5), 520–535. DOI: 10.1111/jcc4.12127

 

Walford, J. (2011). Forties Fashion: From Siren Suits to the New Look. Thames & Hudson.

​

Wellman, M., Stoldt, R., Tully, M., & Ekdale, B. (2020). Ethics of Authenticity: Social Media Influencers and the Production of Sponsored Content. 35. 68-82. 10.1080/23736992.2020.1736078.

​

(1992). In American Heritage Dictionary. Houghton Mifflin Harcourt.